Radio

Picture of Dorian Gray/Camille (CBC Stage)

When Dorian Gray, a wealthy but naive young man, has his portrait painted, he rashly wishes that he could remain as youthful and beautiful as the handsome face in the portrait. Little does he realize that his wish will come true. But Gray¹s wanton lifestyle will eventually catch up with him, and the consequences of his reckless behavior will come to haunt him. Starring: Frank Perry, Budd Knapp, Robert Christie and others. Produced and Directed by Andrew Allan. Original Music Composed by Lucio Agostini. CBC Stage Series. Originally Broadcast 1950.

The second play in the volume is Alexandre Dumas' Camille. Marguerite Gauthier is a dying French courtesan who has won the heart of Armand Duval, a handsome young nobleman. Secretly, Armand¹s father persuades Marguerite to give up his son. Soon after, the father relents and Armand returns to Marguerite, but he may be too late as he finds her close to death. Starring: Barry Morse, Barbara Chilcott, Frank Peddie and others. Produced and Directed by Andrew Allan. Original Music Composed by Lucio Agostini. CBC Stage Series. Originally Broadcast 1950.

A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."

As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment."

Emma (Radio Collection)

A Radio 4 dramatization starring Angharad Rees as Emma Woodhouse - clever and rich, with a comfortable home and a happy disposition. When her long-time companion leaves the household to marry, Emma decides to entertain herself by meddling in the affairs of her acquaintances.

Of all Jane Austen's heroines, Emma Woodhouse is the most flawed, the most infuriating, and, in the end, the most endearing. Pride and Prejudice's Lizzie Bennet has more wit and sparkle; Catherine Morland in Northanger Abbey more imagination; and Sense and Sensibility's Elinor Dashwood certainly more sense--but Emma is lovable precisely because she is so imperfect. Austen only completed six novels in her lifetime, of which five feature young women whose chances for making a good marriage depend greatly on financial issues, and whose prospects if they fail are rather grim. Emma is the exception: "Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her." One may be tempted to wonder what Austen could possibly find to say about so fortunate a character. The answer is, quite a lot.

For Emma, raised to think well of herself, has such a high opinion of her own worth that it blinds her to the opinions of others. The story revolves around a comedy of errors: Emma befriends Harriet Smith, a young woman of unknown parentage, and attempts to remake her in her own image. Ignoring the gaping difference in their respective fortunes and stations in life, Emma convinces herself and her friend that Harriet should look as high as Emma herself might for a husband--and she zeroes in on an ambitious vicar as the perfect match. At the same time, she reads too much into a flirtation with Frank Churchill, the newly arrived son of family friends, and thoughtlessly starts a rumor about poor but beautiful Jane Fairfax, the beloved niece of two genteelly impoverished elderly ladies in the village. As Emma's fantastically misguided schemes threaten to surge out of control, the voice of reason is provided by Mr. Knightly, the Woodhouse's longtime friend and neighbor. Though Austen herself described Emma as "a heroine whom no one but myself will much like," she endowed her creation with enough charm to see her through her most egregious behavior, and the saving grace of being able to learn from her mistakes. By the end of the novel Harriet, Frank, and Jane are all properly accounted for, Emma is wiser (though certainly not sadder), and the reader has had the satisfaction of enjoying Jane Austen at the height of her powers. --Alix Wilber

The Memoirs of Sherlock Holmes, Volume 1 (BBC Radio Presents)

Full-cast dramatizations bring to life four classic mysteries featuring the inimitable Sherlock Holmes--""Silver Blaze,"" ""The Yellow Face,"" ""The Stockbroker's Clerk,"" and ""The Gloria Scott.""

Penzler Pick, February 2000: What is there about the greatest series of short stories in the history of the world that hasn't already been said? This is the second (of five) story collections by Doyle about the greatest detective in literature--and a splendid volume it is, containing such superb puzzles as "The Greek Interpreter," in which readers are introduced to Mycroft Holmes; "The Musgrave Ritual"; "Silver Blaze"; and the earth-shattering "The Final Adventure," recounting the struggle between Holmes and the evil Professor Moriarty in which the two titans were apparently killed as they went over the edge of the Reichenbach Falls.

But every mystery reader already knows this. I'm pointing out this marvelous book because it has been extensively annotated by a fine Sherlockian scholar, Les Klinger, who has brought to all serious students of the Holmesian canon a level of erudition seldom encountered. In addition to the expected illustrations from The Strand magazine and meticulous scrutiny of chronological evidence of various events, there are references to primary sources and a staggering helping of information from the thousands of works about Sherlock Holmes by others.

More than 30 years ago, another great Sherlockian scholar, William S. Baring-Gould, produced a ground-breaking volume that enjoyed more than 35 printings in its original two-volume format and probably sold just as many copies in a slightly less elaborate one-volume size. The Annotated Sherlock Holmes became the single most essential volume in the library of any true Sherlockian, of which the world has far more than you think.

Les Klinger has acknowledged Baring-Gould in every way imaginable, and it was an act of extraordinary courage to attempt to supercede that monumental work. But that is exactly what he appears to be doing. The first volume, his annotated edition of The Adventures of Sherlock Holmes, was introduced by the same publisher last year. There are seven yet to come.

If you want to master just about everything there is to know about The Great Detective and The Good Doctor, to understand what Holmes meant when he referred to "a comet vintage" of wine, and to know what discrepancies there are between the English and American editions of the works, plus a thousand other things relating to Holmes, Watson, and the England of the Victorian era, you must have this volume, as well as all the others in the series as they become available over the next few years. --Otto Penzler

War of the Worlds

The War of the Worlds is a timeless science fiction novel by H.G. Wells. Taking place in London, it covers the fears, escape plans and struggles for reunion of families amidst an invasion from mars. An inspiration to artists of every sort from radio to literature to film, this is the original edition updated with a working table of contents for easy navigation.

This is the granddaddy of all alien invasion stories, first published by H.G. Wells in 1898. The novel begins ominously, as the lone voice of a narrator tells readers that "No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man's..."

Things then progress from a series of seemingly mundane reports about odd atmospheric disturbances taking place on Mars to the arrival of Martians just outside of London. At first the Martians seem laughable, hardly able to move in Earth's comparatively heavy gravity even enough to raise themselves out of the pit created when their spaceship landed. But soon the Martians reveal their true nature as death machines 100-feet tall rise up from the pit and begin laying waste to the surrounding land. Wells quickly moves the story from the countryside to the evacuation of London itself and the loss of all hope as England's military suffers defeat after defeat. With horror his narrator describes how the Martians suck the blood from living humans for sustenance, and how it's clear that man is not being conquered so much a corralled. --Craig E. Engler

Love in a Nutshell

The Hobbit (BBC Drama Series/Audio Cassettes)

Written for J.R.R. Tolkien"s own children, The Hobbit met with instant critical acclaim when first published more than sixty years ago. Now recognized as a timeless classic with sales of more than 40 million copies worldwide, this introduction to Bilbo Baggins, Gandalf the Wizard, and the spectacular world of Middle-earth tells of the adventures of a reluctant hero, a powerful and dangerous ring, and the cruel dragon Smaug the Magnificent.

"In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort."

The hobbit-hole in question belongs to one Bilbo Baggins, an upstanding member of a "little people, about half our height, and smaller than the bearded dwarves." He is, like most of his kind, well off, well fed, and best pleased when sitting by his own fire with a pipe, a glass of good beer, and a meal to look forward to. Certainly this particular hobbit is the last person one would expect to see set off on a hazardous journey; indeed, when Gandalf the Grey stops by one morning, "looking for someone to share in an adventure," Baggins fervently wishes the wizard elsewhere. No such luck, however; soon 13 fortune-seeking dwarves have arrived on the hobbit's doorstep in search of a burglar, and before he can even grab his hat or an umbrella, Bilbo Baggins is swept out his door and into a dangerous adventure.

The dwarves' goal is to return to their ancestral home in the Lonely Mountains and reclaim a stolen fortune from the dragon Smaug. Along the way, they and their reluctant companion meet giant spiders, hostile elves, ravening wolves--and, most perilous of all, a subterranean creature named Gollum from whom Bilbo wins a magical ring in a riddling contest. It is from this life-or-death game in the dark that J.R.R. Tolkien's masterwork, The Lord of the Rings, would eventually spring. Though The Hobbit is lighter in tone than the trilogy that follows, it has, like Bilbo Baggins himself, unexpected iron at its core. Don't be fooled by its fairy-tale demeanor; this is very much a story for adults, though older children will enjoy it, too. By the time Bilbo returns to his comfortable hobbit-hole, he is a different person altogether, well primed for the bigger adventures to come--and so is the reader. --Alix Wilber

Celebrity in Death (In Death Series)

Her career in homicide has taken her into the darkest depths of New York City’s underground—and sometimes Lieutenant Eve Dallas feels more comfortable in those kinds of places than in the high-rise, high-society world of her billionaire husband, Roarke. But while she’s no party girl, she’s managing to have a reasonably good time at the celebrity-packed bash celebrating the debut of The Icove Agenda. This time it’s Eve, not Roarke, who’s a guest of honor, since the film is based on one of her famous cases. Her partner, Peabody, is practically giddy over rubbing shoulders with Hollywood royalty. Eve, on the other hand, is more likely to roll her eyes than have stars in them. But she has to admit it’s a little spooky seeing the actress playing her, who looks almost like her long-lost twin. Not as unsettling, though, as seeing K. T. Harris, the actress who plays Peabody—drowned in the lap pool on the roof of the director’s luxury building. Talented but rude, and widely disliked, K.T. had made an embarrassing scene during dinner. She clearly liked being the center of attention. Now she’s at the center of a crime scene—and Eve is more than ready to get out of her high heels and strap on her holster, to step into the role she was born to play: cop.

World of Downton Abbey

Downton Abbey has captured the imagination of the nation. Written by Oscar-winning writer Julian Fellowes the show has become the benchmark for quality drama, and a commentary on all things British. Downton Abbey portrays a world of elegance and decadence, a world of duty and obedience and a world of romance and rivalry: this companion book, full of rich historical detail, takes fans deeper into that period than ever before. Step inside one of the most beautiful houses in Britain, past Carson the butler at the front door and into the grand hallway. Catch a glimpse of the family having drinks in the drawing room before dinner, dressed in their evening finery, whilst Lord Grantham finishes writing a letter in his study. Then climb the grand sweeping staircase to the maze of rooms upstairs and peak through Lady Mary's open door to see Anna, her maid, tidying scent bottles and jewellery on the ornate dressing table. Follow Anna down the servants' stairs and into the kitchens to watch Mrs Patmore frantically preparing dinner. Mrs Hughes keeps a watchful eye from her study and the world of Downton comes alive before you. Experience the inner workings of the downstairs life and be dazzled by the glamour of upstairs life with profiles of all the major characters, interviews with the actors, behind the scenes insights and in-depth information on costumes and props.

The Handmaid's Tale

Written by the author of "Surfacing", "Lady Oracle", "Life Before Man" and "Bodily Harm", this science fiction story was shortlisted for the Booker Prize and was the winner of the Arthur C. Clarke Award for Science Fiction. This is a film tie-in reissue.

Dorothy and the Wizard in Oz: A Radio Dramatization (Oz Series)

In this adventure, Dorothy gets caught in a California earthquake with her cousin Zeb, and they have many adventures underground with none other than the Wizard of Oz! But can they find their way back to the surface world?